Maney Publishing Back Matter Source: Journal of the American Institute for Conservation, Vol. 35, No. 3 (Autumn - Winter, 1996), pp. 255-256 Published by: Maney Publishing on behalf of The American Institute for Conservation of Historic & Artistic Works Stable URL: http://www.jstor.org/stable/3179785 . Accessed: 14/06/2014 04:39 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. . Maney Publishing and The American Institute for Conservation of Historic & Artistic Works are collaborating with JSTOR to digitize, preserve and extend access to Journal of the American Institute for Conservation. http://www.jstor.org This content downloaded from 185.2.32.106 on Sat, 14 Jun 2014 04:39:42 AM All use subject to JSTOR Terms and Conditions
Transcript
Maney Publishing
Back MatterSource: Journal of the American Institute for Conservation, Vol. 35, No. 3 (Autumn -Winter, 1996), pp. 255-256Published by: Maney Publishing on behalf of The American Institute for Conservation of Historic &Artistic WorksStable URL: http://www.jstor.org/stable/3179785 .
Accessed: 14/06/2014 04:39
Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at .http://www.jstor.org/page/info/about/policies/terms.jsp
.JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range ofcontent in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new formsof scholarship. For more information about JSTOR, please contact [email protected].
.
Maney Publishing and The American Institute for Conservation of Historic & Artistic Works are collaboratingwith JSTOR to digitize, preserve and extend access to Journal of the American Institute for Conservation.
http://www.jstor.org
This content downloaded from 185.2.32.106 on Sat, 14 Jun 2014 04:39:42 AMAll use subject to JSTOR Terms and Conditions
The Journal welcomes for publication consideration articles on subjects of interest to professional conser- vators. These articles may treat their subjects general- ly or in detail; they may include practical, scientific, theoretical, or historical topics.
REVIEW PROCESS: All manuscripts of substantial
length will be considered by the editor, an associate editor in the appropriate specialty, and two reviewers selected by the associate editor. Short manuscripts will be considered by the editor and an associate edi- tor. Manuscripts will be reviewed for their interest and overall suitability for the Journal, as well as for
accuracy, clarity, and effectiveness of communication. The author will receive copies of the reviewers'
reports. Acceptance of a manuscript may be condi- tional upon suggested revisions, which the author will be expected to complete within three months.
CORRESPONDING AUTHORS: If there are mul-
tiple authors, one should be designated the corre-
sponding author who will be responsible for all com- munication with the editorial office.
MANUSCRIPT LENGTH: Manuscripts should be limited to 30 pages double-spaced, including refer- ences, and illustrations should be limited to a number
equal to the length of six printed pages of the Journal. The submission of short communications is also
encouraged.
REFERENCE STYLE: Reference style should be in the author-date endnote format recommended as
style B in the Chicago Manual of Style, 14th edition
(see below for examples). Footnotes should not be used.
FORMAT: Manuscripts must be typed in a 10 or 12
point standard typeface, on 8.5 by 11 inch white
paper (one side only), with paragraphs indented, dou-
ble-spaced (including captions and references), with author's name and page number in the upper right corner of each page; a 1-in margin or more on all sides; and stapled top left. Numbered section headings should be used. Papers should include the following parts (in this order): an abstract of 100-200 words, the text, references, a list of suppliers of equipment (if any) with addresses, an author biography of approxi- mately 100 words, and a list of figure captions. Recent back issues of the Journal should be consulted for for- mat and style.
PHOTOGRAPHS: All photographs must be submit-
ted in the form of black and white prints. Slides will not be accepted. Photographs must be glossy, sharp, at least 4 by 5 in with crop marks. Contact the AIC office for information on submitting color pho- tographs. Appropriate credit must be given for all photographs not taken by the author. The owner of any work illustrated should be listed.
ILLUSTRATIONS: All black-and-white illustrations must be of a suitable visual standard for reproduction. Drawings must be in black ink, sharply rendered; fig- ures, graphs, and tables must be printed on a laser printer (at least 300 dpi), typeset, or provided in another high-quality camera-ready form. Each illus- tration should be identified on the front with the author's name and figure or table number; arabic numerals should be used. All illustrative material must be accompanied by a listing of captions at the end of the paper. Captions should be concise. Detailed dis- cussion of what the illustrative material shows should appear in the text of the paper; the text should include a reference to the figure or table by number. For magnified photographs, the caption should include a correct description (such as scanning elec- tron micrograph) and should include the magnifica- tion. All illustrations will be returned to the author.
COPIES: Eight complete copies of the paper and eight sets of the illustrations must be submitted. Copies of illustrations must be originals or high qual- ity photocopies. COMPUTER DISKS: Upon acceptance of a manu- script for publication, the author will be asked to pro- vide a copy on disk.
ACCEPTANCE FOR REVIEW: Only a complete manuscript with all the parts indicated above, and prepared as specified above, will be accepted for review.
PAGE PROOFS & OFFPRINTS: Page proofs will be sent to the authors for proofreading and must be returned within two weeks of receipt. The author will receive 25 free offprints; in the case of multiple authors the number remains at 25. More offprints may be obtained by prior agreement, with the author or authors bearing the additional cost.
PERMISSIONS:Authors are responsible for the con- tent and accuracy of their articles, as well as for obtaining written permission to reproduce material owned or copyrighted by others for national and
JAIC 35(1996):255-56
This content downloaded from 185.2.32.106 on Sat, 14 Jun 2014 04:39:42 AMAll use subject to JSTOR Terms and Conditions
international distribution. This written permission must be submitted to the AIC office.
PREVIOUS PUBLICATION:The substance of pro- posed articles must not have been published previous- ly, or have been submitted elsewhere, with the fol- lowing exceptions. The Journal welcomes articles that have appeared in AIC Annual Meeting Preprints, AIC Specialty Group Preprints and Postprints, and in Train- ing Conference Postprints. Questions about submit- ting papers that have appeared in proceedings of other meetings should be directed to the editorial office at the number below.
DEADLINES: The deadlines for receipt of manu- scripts are February 1, May 1, August 1 and Novem- ber 1.
Please address questions and send manuscripts to the editor, in care of the American Institute for Conser- vation, 1717 K Street, N.W, Suite 301, Washington, D.C. 20006; (202) 452-9545.
REFERENCE STYLE
TEXT REFERENCES:
Place in parentheses where most appropriate. If more than one reference, order is chronological. SAMPLES:
to reference as a whole:
(Smith 1988) (Smith 1988; Jones 1989)
(Smith and Jones 1988) (Smith et al. 1988) Smith (1988) described a method
REFERENCES:
for authors' names, use initials for first and middle names; underline titles of books and names ofjour- nals; do not underline titles of unpublished docu- ments or in-house documents and reports; for cita- tions to journals, spell out title of journal and include issue number or month or season only when pagination is not continuous through vol- ume
SAMPLES:
book: Clapp, A. 1979. Curatorial care of works of art on paper. Oberlin, Ohio: Intermuseum Conservation Laboratory.
edited book: Zycherman, L. A., and R. Schrock, eds. 1988. A guide to museum pest control.Washington, D.C.: Foundation of the American Institute for Conser- vation of Historic and Artistic Works and Associa- tion of Systematics Collections.
article in a book: Schniewind, A. P., and D. P. Kronkright. 1984. Strength evaluation of deteriorated wood treated with consolidants. In Adhesives and consolidants, ed. N. S. Brommelle et al. London: International Institute for Conservation of Historic and Artistic Works. 227-316.
article in a journal: Franey, J. P., and T. E. Graedel. 1985. On the mechanism of silver and copper sulfidation by atmospheric hydrogen sulfide. Corrosion Science 25 (12):663-65.
Holland, M. 1977. Caring for silver. Modern Silver 50 (April): 10-11.
Torkelson, T. R., H. R. Hoyle, and V. K. Rowe. 1966. Toxicological hazards and properties of commonly used space, structural and certain fumigants. Pest Control 34(7):13-18, 42-50.
article in a journal not attributed to author: Consumer Reports. 1978. Silver care products. Con- sumer Reports 43(2):1-10.
entry in a dictionary: Hawley, G. C. 1987. Condensed chemical dictionary, 10th ed. 23-44.
association as author: ASTM. 1987. Standard test for impact strength of adhesive bonds, D 950-82. In Annual book of ASTM standards.Vol. 15.06, Adhesives. Philadel- phia: American Society for Testing and Materials.
AIC Preprints: Heller, D. 1983. The coating of metal objects at Winterthur. AIC preprints, 11th Annual Meeting, American Institute for Conservation, Washington, D.C. 57-64.
unpublished document in archives: Jones, E. H. 1949. Washington Allston's painting technique and his place in the colorist tradition. Unpublished typescript. Boston: Museum of Fine Arts.
in-house report: Dow Chemical Co. 1989. Material safety data sheet 000506. January 23, 1989.
database: Conservation Information Network, Materials Database. 1989.Vikane. MCIN record 908.
personal communication: Aronson, M. 1989. Personal communication. Iso-
tope Laboratory, Institute of Geoplanetary and
Planetary Physics, University of California, Los
Angeles, Calif. 90024 [or other form of ID]
JAIC 35(1996):255-56
This content downloaded from 185.2.32.106 on Sat, 14 Jun 2014 04:39:42 AMAll use subject to JSTOR Terms and Conditions
TORINOKO GAMPI,ARCHES, RIVES, RICHARD de BAS, LARROQUE,
MANY OTHERS
WRITE OR CALL FOR FREE CATALOG & PRICE LIST
TELEPHONE: 1-800-346-2770 FAX: 317-634-1370
RUSSIAN NATURAL STURGEON FISH GLUE
available from ANDREI ANDREEV
Russian natural sturgeon fish glue is available from Andrei Andreev in Russia to restorers world- wide including Europe and the U.S. (This glue is referred to as SALIANSKI in Dr. Kremer's catalog.) This glue is of the highest quality, direct from the Volga River. It is a by-product of the caviar indus- try, and thus no sturgeon are killed specifically for its production.A list of major museums in the U.S. and abroad that use the product is available from Mr. Andreev on request.
Prices: 500g, 190 DM ($123); 1kg, 360 DM ($233); 2 kg, 700 DM ($455); more than 2 kg, price negotiable depending on quantity; postage is addi- tional. To purchase: send an order by fax or mail and you will be invoiced. Pay if you are satisfied, or return the product. Most customers order more!
Contact: Andre Andreev, Ak. Artzimovicha st. 16-378, 117437 Moscow, Russia;
tel./fax: 011-7-095-3366296.
Now in stock...
Japanese Hole Punch * steel and brass screw punch comes with 7 interchangeable and replaceable tips
Teflon Spatula * pre-shaped flexible spatula glides effortlessly through paper and board for delaminating, backing removal, lifting endsheets, etc.
Ground Eraser Crumbs * Staedtler Mars erasers ground by Bill Minter to 4 different size grinds for dry-cleaning of documents ranging from coarse to smooth surfaces * leaves no residue
BOOKMAKERS The most comprehensive high-quality
selection of supplies, tools, equipment, and publications for
bookbinding and book conservation
6001 66th Avenue * Suite 101 *
Riverdale, MD 20737 fax: (301) 459-7629
phone: (301) 459-3384
This content downloaded from 185.2.32.106 on Sat, 14 Jun 2014 04:39:42 AMAll use subject to JSTOR Terms and Conditions
Protective Enclosures Pamphlet Binders Music Binders Bound Four Flap Enclosures Tan Archival Board Grey/White Archival Board Drop Spine Archival Boxes Academy Folder Manuscript Folder 3" Ring Binder Album
P.O. Box 1413, Des Moines, Iowa 50305-1413 PH. 800-526-5640 FAX 800-262-4091 E-MAIL [email protected] WEB SITE http://www.archival.com
C:
LO w
LO
LO
Clear epoxies
for repair or restoration,
EPO-TEK 301 and 301-2 epoxies dry clear and hard to repair or restore valuable antiques and artifacts with- out altering the original piece.
Its uses include (but are not limited to) restora- tion or repair of wood, ceramics, stone, porcelain, china and glass. The epoxy can be used to coat surfaces or to penetrate and bond porous materials and cracks in nonporous materials.
Both are two part, optically transpar-
ent epoxy systems with very low vis-
cosities (comparable to water), and room
temperature cure. When cured, they become extremely strong, hard, clear plastics with excellent bond strength.
teffX~sy
For more information, contact Epoxy Technology, Inc. 14 Fortune Drive, Billerica, MA 01821, (800) 227-2201, (508) 667-3805, Fax: (508) 663-9782
This content downloaded from 185.2.32.106 on Sat, 14 Jun 2014 04:39:42 AMAll use subject to JSTOR Terms and Conditions
The sole manufacturer of BEVA? products, specifically formulated by Gustav A. Berger for art conservation, sells directly or through its authorized distributors:
BEVA? 371 SOLUTION The most widely used, stable adhesive for paintings.
BEVA? 371 FILM Homogenous, dry film of BEVA 371 Solution, for paintings,
paper and textiles.
BEVA? D-8 DISPERSION Aqueous, non-toxic adhesive for large applications.
BEVA? GEL For cold linings of paintings and murals.
PVA Inpainting Medium and PVA Isolating Varnish
We also offer Finishing Varnishes: Glossy, Matte or UV Stabilized
NEW PRODi I]IiIUC- Thin Mylar (0.5mil) silicone coated, one side only.
Won't stick to paint, adhesive or varnish. For membranes on hot-tables, vapor treatment, consolidation, or as separation sheets in transport. In 63"-wide rolls.
OUR PRODUCTS COME WITH DETAILED INSTRUCTIONS
For a free catalogue write or call:
CONSERVATOR'S PRODUCTS COMPANY P.O. Box 411 * Chatham, N.J. 07928
Telephone/Fax (201) 927-4855
This content downloaded from 185.2.32.106 on Sat, 14 Jun 2014 04:39:42 AMAll use subject to JSTOR Terms and Conditions
