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RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC...

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Copy right 2003 ELEN 351 1 RFIC DESIGN ELEN 351 Session4 Dr. Allen Sweet January 29, 2003
Transcript
Page 1: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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RFIC DESIGN ELEN 351 Session4

Dr. Allen SweetJanuary 29, 2003

Page 2: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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Power Amplifier Classes Indicate Efficiency and Linearity

• Class A: Most linear, max efficiency is 50%• Class AB: linear, max efficiency is 60%• Class B: More nonlinear, max efficiency is

75%• Class C: Very nonlinear, max efficiency is

85%• Classes D, E, F: Switching modes, 85-95%

Page 3: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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Linearity Metrics

• Scaled Linearity = (OIP3 – P-1 dB)• Linear Efficiency = 10 LOG (OIP3/Pdc)• Adjacent Channel Power Ratio = (Main

Channel average power – Adjacent Channel average power)

Page 4: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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GaAs HBT Performance Expectations

• PAE: Matched/Feedback amps:45% to 65%, Darlington amps: 15% to 25%

• (OIP3 – P-1 dB): 10 dB to 20 dB• 10 LOG (OIP3/Pdc): 5 dB to 15 dB• ACPR: 50 dB to 65 dB

Page 5: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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Matching for Maximum Gain

Zl

Page 6: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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Smith Chart Display of S11 and S22 and Zl for Maximum Pout

Match for Gain Match for Power

Page 7: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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MESFET Power Amplifier Load Line Analysis

Page 8: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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Load Line Resistance CalculationWith no Restrictions on Voltage

Page 9: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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Load Line for a One Finger GaAs HBT Using the G.P Model

Bias Point

Bias Point

Page 10: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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Calculate HBT PA Load Line Resistance Based on Pout

• Assume the Requirement is for Pout=1 watt from a class A amplifier.

• Assume 50% conversion efficiency and Vcc=6.0 volts. Pdc=2 watts, and Ic=2watts/6 volts= 333 mA.

• The number of emitter fingers is N=333/10 = 33 fingers.

• Load Resistance = Rl = 580/33 = 17.5 Ohms

Page 11: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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Pure Class A Load Line Analysis

Page 12: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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Simulated Wave Forms for Pure Class A Operation

Page 13: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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Simulated Pin vs Pout for Pure Class A Operation

Page 14: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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Class AB Operation (Low DC Current)

Page 15: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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Class AB Current and Voltage Wave Forms

Page 16: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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Pin vs Pout for Class AB Operation

Page 17: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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Load Line Analysis for Low Voltage Class A Operation

Page 18: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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Current and Voltage Wave Forms for Low Voltage Operation

Page 19: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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Pin vs Pout for Low Voltage Operation

Page 20: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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Ways to Test an Amplifier’s Stability/Instability

• K factor: K>1.0 is Unconditionally stable, 0<K<1.0 is conditionally stable, and K<0 is Unstable.

• S11 or S22 greater than 1.0 (or positive if expressed in dB’s) is unstable.

• Stability circles (ADS element under Simulation-S parameter Palette) Show Unstable Impedance Regions.

• BE SURE TO TEST STABILITY OVER A WIDE RANGE OF FREQUENCIES.

Page 21: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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Circuit Elements which Enhance an Amplifier’s Stability

• Parallel or Series Feedback.• Place a series R-L network in shunt with the

amplifier’s input, to cure low frequency instabilities.

• Place a series R-C network in shunt with the amplifier’s input to cure high frequency instabilities.

Page 22: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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Amplifier Stability Analysis Demonstrating a Problem

Page 23: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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Improved Stability after Modifying Component Values

Page 24: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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Simulating Power, Linearity and DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone

Frequency Source to Simulate Pin vs Pout.• Use Harmonic Balance and an N Tone

Frequency Source to Simulate OIP3.• Use DC Control Icon to Annotate DC

conditions.

Page 25: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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ADS Harmonic Balance Schematic For Simulating Pin vs

Pout

Name output node on Schematic Vout

Page 26: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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ADS Display Trace Expression for Pin vs Pout

Choose dBm,Not dB for power

Page 27: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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ADS Harmonic Balance Schematic for Simulating OIP3

Note: be sure to Name the output Node vout

Page 28: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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ADS Display Trace for OIP3 Simulations

Page 29: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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Types of GaAs HBT PAs

• Darlington: Simple, Inherently Stable, Medium Power, 15% to 25% Efficient, Very Broad Bandwidth. Minimum off chip components

• Feedback: Simple, High Power, High Efficiency (50% to 60%), Some off chip Components Required.

• Balanced: +3 dB Power Combining, Inherently Good in/out matches, Many off chip components.

• Push Pull: +3 dB Power Combining, Natural Impedance Transformation for matching. Off chip

Page 30: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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Darlington Amplifiers

• Simple Topology: Two Transistors, 4 Resistors, No on chip Capacitors, No on chip Inductors.

• Flat, Broadband Gain Response Extends down to D.C. and Rolls off at a High Corner Frequency determined by the device sizes. Inherently Stable.

• Power and OIP3 trade off with corner Frequency.• Device Area determines Gain and Power.• Gain to 20 dB, P-1 db to +25 dBm, OIP3 to +45

dBm, but not all at once.• Use for Low and Medium Power Stages.

Page 31: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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Darlington Amplifier Topology

IN

OUT

NormallyZero Ohms

Vbe for both Transistors must beAbout 1.4 volts

Page 32: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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Darlington Amplifier Frequency Response

Page 33: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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Homework #3: A Darlington Amplifier with Layout Parasitic

Elements

Page 34: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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Darlington Amplifier DC Simulation

Page 35: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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Menu Pick for DC Annotation

Page 36: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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Blow up of Darlington Circuit

Input PadOutputPad

R1

R2R3

R5

EmitterBase Line

Collector lineBase Line Q1

Q2

Page 37: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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Darlington Amplifier Simulated Performance

Peaking is causedBy transmission linesIn the transistors bases

Page 38: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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Darlington Schematic for Simulating OIP3

Page 39: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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Darlington OIP3 Simulation

dBm

(OIP3 – P-1)= 10 dB

10LOG(OIP3/Pdc)=5 dB

Linearity Metrics:

Page 40: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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Darlington Schematic for Simulating Pin vs Pout

Page 41: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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Simulated Pin vs Pout for the Darlington Amplifier

P-1 dB PAE=21 %

Page 42: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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Darlington Amplifier Layout

W=50 microns Resistors haveA Resistance in Ohms equal toTheir length in microns

Page 43: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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Layout Detail 1M1 to M2 VIA

Page 44: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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Layout Detail 2M1 to M2 VIAS

Page 45: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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Feedback Amplifiers

• Highest Power, Efficiency, and Linearity.• Feedback promotes Stability and Suppresses

Harmonics and Spurious signal.• Well matched over Narrow Band Segments only.• Output Matching is done off chip to reduce losses

at the high power side of the Amplifier• PAE up to 60%.• P-1 dB up to +32 dBm• OIP3 up to +50 dBm

Page 46: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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Feedback Amplifier Topology with Resistive Base Bias

Page 47: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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Feedback Amplifier Topology with Current Mirror Base Bias for Improved Temp Stability

Page 48: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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Layout of a Large (A=24) Transistor

Page 49: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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Ballast Resistors in Large Transistors

Page 50: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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Balanced Amplifiers

• Power Combine any two Identical Amplifiers to Double their Output Power.

• Excellent Broadband Match, no matter how poorly the individual Amplifiers are Matched.

• Many off chip components, some are Large.

Page 51: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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Balanced Amplifier Topology

Reflections

Reflections

Page 52: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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Push Pull Amplifiers

• Power Combine any two Identical Amplifiers to Double their Power output.

• Push Pull Topology uses Baluns or Transformers that provide a natural Impedance Transformation for Matching. A 2:1 Impedance ratio Transformer provides a 4:1 Matching Impedance Ratio.

• The Virtual Ground Along the Amplifier’s Center line can simplify layout by eliminating the need for some Substrate Via Grounds.

• Many Off Chip Components, some are Large.

Page 53: RFIC DESIGN ELEN 351 Session4 - SCU › classes › 2003winter › elen351 › lecture4.pdf · DC with ADS Harmonic Balance • Use Harmonic Balance and a One Tone Frequency Source

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Push Pull Amplifier Topology

Virtual ground point

N:1 N:150/2N

50/2N

50/2N

50/2N


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