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Back Matter Source: Callaloo, No. 8/10 (Feb. - Oct., 1980), pp. 239-243 Published by: The Johns Hopkins University Press Stable URL: http://www.jstor.org/stable/3043956 . Accessed: 10/06/2014 03:20 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. . The Johns Hopkins University Press is collaborating with JSTOR to digitize, preserve and extend access to Callaloo. http://www.jstor.org This content downloaded from 91.229.229.89 on Tue, 10 Jun 2014 03:20:59 AM All use subject to JSTOR Terms and Conditions
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Back MatterSource: Callaloo, No. 8/10 (Feb. - Oct., 1980), pp. 239-243Published by: The Johns Hopkins University PressStable URL: http://www.jstor.org/stable/3043956 .

Accessed: 10/06/2014 03:20

Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at .http://www.jstor.org/page/info/about/policies/terms.jsp

.JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range ofcontent in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new formsof scholarship. For more information about JSTOR, please contact [email protected].

.

The Johns Hopkins University Press is collaborating with JSTOR to digitize, preserve and extend access toCallaloo.

http://www.jstor.org

This content downloaded from 91.229.229.89 on Tue, 10 Jun 2014 03:20:59 AMAll use subject to JSTOR Terms and Conditions

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CONTRIBUTORS

NOL ALEMBONG is a student at the University of Yaounde, Cameroon, and secretary of the creative writing group there, which publishes The Mould: A Magazine of Creative Writing. CHIKE C. ANIAKOR, artist, poet, and art historian, was born in Nigeria. He has taught painting and art history at the University of Nigeria, Nsukka. His drawings, poems, and critical writings have appeared in numerous periodicals in the United States, Nigeria, and France. ROBERT G. ARMSTRONG, Research Professor of Linguistics at the University of Ibadan, Nigeria, has long been a scholar of the languages and literatures of Nigeria. He has been instrumental in the preservation of such materials by careful publication of recordings, annotated texts, and translations produced by Ibadan's Institute of African Studies. EDITH BLICKSILVER teaches at Georgia Institute of Technology, Atlanta. DENNIS BRUTUS is a preeminent South African poet and political activist, now professor of English at North- western University. His volumes include A Simple Lust and Stubborn Hope. BOLE BUTAKE teaches African literature at the University of Yaounde, where he leads the creative writing group which produces the annual, The Mould. His novel, The Luncheon, is soon to be pub- lished. HERBERTO CUADRADO COGOLLO, an Afro-Colombian artist, lives in Paris. TOM DENT Lives in New Orleans. He is author of Magnolia Street, a collection of poems. His essays, reviews, and poems have been published in many journals. FATIMA DIKE'S plays, "The Sacrifice of Kreli" and "The First South African," have been pro- duced and published in South Africa, both with serious critical ac- claim. BIRAGO DIOP, poet, fiction writer and veterinary surgeon, was born in Dakar, Senegal. His collection of poems is entitled Leurres et lueurs. He is also author of Les Contes d'Amadou Koumba and Les Nouveaux Contes d'Amadou Koumba. MELVIN DIXON is associate professor of English at Queens College, City University of New York. He has published poetry, fiction and literary criticism in numerous journals, including Massachusetts Review, CLA Journal, Iowa Re- view, Okike, First World, Black World, Obsidian, and Callaloo. In 1974, he received the Richard Wright Award for literary criticism from Black World Magazine. DAVID DORSEY is associate professor of English Linguistics and Afro-American Studies at Atlanta Univer- sity. His essays and reviews have been published in CLA Journal, Classical Review, Classical Outlook, Princeton Encyclopedia of Poetry and Poetics (ed. A. Preminger), The Teaching of African Liter- ature (eds. T. A. Hale and R. K. Priebe), Phylon, Books Abroad, and

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other periodicals and books. MICHEL FABRE is the author of The Un- finished Quest of Richard Wright and teaches at the University of Paris III. RONALD FAIR was born in Chicago. He is author of Many Thousand Gone, Hog Butcher, World of Nothing, and We Can't Breathe. He now lives in Finland. ANGELA LOPES GALVAO lives in Brazil. STEPHEN GRAY of South Africa writes fiction, drama, criticism, as well as conducts interviews with other writers. His first published novel is Local Colour. His play, "An Evening at the Ver- nes," is included in Contemporary South African Plays (ed. Ernest Pereira). BESSIE HEAD, born in South Africa, now resides in Bot- swana. She is author of three acclaimed novels, When Rain Clouds Gather, Maru, A Question of Power, and short stories, The Collector of Treasures. AMELIA B. HOUSE is a poet, short story writer and critic exiled from South Africa, and widely published in Europe, the United States and South Africa. After a successful career on the London stage, she now teaches and resides in the United States. LEMUEL JOHNSON of Sierra Leone is professor of English at the Uni- versity of Michigan, and author of a novel, criticism (The Devil, the Gargoyle and the Buffon), and poetry (Highlife for Caliban and Hand on the Navel). EILEEN JULIEN teaches French at Williams College in Massachusetts. Her special scholarly interest is the literature of Africa and the Caribbean. Her scholarly work has been widely published in Europe, the United States, and Africa. She is currently vice-president of the African Literature Association. DANIEL P. KUNENE is a South African poet and fiction writer living in exile. He is author of Pirates Have Become Kings, a volume of poems; and Heroic Poetry of Basotho, non-fiction prose. JOSE CARLOS LIMEIRA lives in Rio de Janeiro, Brazil. JANE MALINOFF teaches in the Latin American Studies Program at the University of Iowa, Iowa City. SHARON MASINGALE teaches in the Romance Languages Department of Wiley College in Marshall, Texas. PETER NAZARETH, novelist and critic from Uganda and Kenya, now teaches at the University of Iowa. His voluminous publications include the novel, In a Brown Mantle; and criticism, An African View of Literature and The Third World Writer: His Social Responsibility. ATUKWEI OKAI is lecturer in Russian at the University of Ghana. Besides the volumes Flowefall, The Oath of the Fontomfrom and Lorgorligi Logarithms, his poetry and criticism are widely published in anthologies and on phonograph records. LENRIE PETERS is a poet, novelist, and surgeon of Gambia. His poetry includes Satellites and Katchikali. One novel, The Second Round, is currently in print. A new volume of poetry is forthcoming. LAURENCE E. PRESCOTT recently joined the Department of Romance Languages at the University of Kentucky. He received the

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Ph.D. in Spanish from Indiana University. PHYLLIS REISMAN teaches in the Latin American Studies Program at the University of Iowa, Iowa City. ABELARDO RODRIGUES Lives in Sao Paulo, Brazil. JACQUES ROUMAIN was Haiti's premier novelist known for his posthumously published Gouverneurs de la rosee which was trans- lated by Langston Hughes and Mercer Cook as Masters of the Dew. The poem published here is from a selection of poems in La Montaigne Ensorcelee. ANDREA BENTON RUSHING teaches English at Amherst College. ANDREW SALKEY is from Jamaica and currently teachess at Hampshire College. He is the author of several novels and volumes of poems, including the most recent book, In the Hills Where Her Dreams Live, which won the Casa de las Americas Prize in 1979. JOSEPH T. SKERRETT, JR. is associate professor of English at the University of Massachusetts in Amherst. He has published essays on fiction in Studies in Short Fiction, Massachusetts Review, American Quarterly, and Callaloo. JACQUES STEPHEN-ALEXIS is one of Haiti's most prominent novelists and the author of Romancero aux etoiles from which the tale of Bouki and Malice is taken. JOHN EDGAR TIDWELL is a candidate for the Ph.D. in English at the Uni- versity of Minnesota. He will join the English faculty of the University of Kentucky during the spring semester of 1981. JERRY W. WARD, JR. is chairman of the Department of English at Tougaloo College (Mississippi). His poems, articles, and reviews have appeared in Obsidian, The Black Scholar, CLA Journal, First World, New Orleans Review, Callaloo, and many other periodicals.

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SUBSCRIBE NOW TO

TI-ETHNIC LITERATURE OF THE UNITED STATES

To experience a journal that is creative, readable, scholarly, and exciting -

To learn more about Afro-American or Chicano or Asian-American or Native American -or any other ethnically specific area of American literature -

To become aquainted with works of literature which have been ignored or forgotten -

To see the total picture of America as displayed in our literature -

"MELUS presents scholarly, readable artides of per- manent value for students of American literature."

- Library Journal 1981-82 'MELUS is unique in that it covers the literature of all Special Features: Ethnic Litera- American ethnic groups .... Because it often treats ture and Cultural National novels for which undergraduates seek information, ism; Ethnic Family Portraits; MELUS will be used not only for courses in ethnic studies and literature, but for modern American litera- New Theories of American ture." - .Choice Literature; Ethnic Poetry;

- Ethnic Women Writers III; 'I find MELUS to be indispensable for anyone interested Techniques and Strategies; in multi-cultural literature .... MELUS points the way to Teh Am*er and ratm an international American writing." Ishmael Reed, TheAm

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Individual subscribers become Newsletter and have the right to English, Rollins College, Winter members of the Society for the vote. Park, FL 32789 Study of the Multi-Ethnic Litera- - ture of the United States, with the Individual memberships . $8.00 right to participate in the sessions Overseas & Home address $10.00 Institutional Subscriptions $15.00; the Society holds in conjunction Income under $5,000 $3.00 Overseas $20.00 Send to Editorial with other learned groups, such as Offices, Department of English, MLA, and Regionals, CEA, and Send membership dues to Univ. of Southern California, Los NWSA. Members also receive the Rosemary Curb, Department of Angeles, CA 90007.

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SUBSCRIBE TO

CALLALOO a tri-annual black south journal of arts and letters

CONTR IBUTORS Alvin Aubert, Robert Chrisman, Jayne Cortez, Mari Evans, Julia Fields, Leon Forrest, Ernest Gaines, Michael Harper, Gayl Jones, June Jordan, Clarence Major, James Alan McPherson, Sterling Plumpp, Kalamu ya Salaam, Sonia Sanchez, Ntozake Shange, Quincy Troupe, Alice Walker, Margaret Walker, John Wideman and Al Young.

Publishes poems, short stories, articles, short plays, interviews, photography, graphics, reviews, folklore, essays and reports on Black art and culture.

Send subscriptions and manuscripts (SASE) to:

Charles H. Rowell, Editor, CALLALOO Department of English, University of Kentucky

Lexington, Kentucky 40506

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FINANCIAL SUPPORTERS OF CALLALOO

When we first conceived the idea of this non-profit journal, we thought it was possi- ble for us to defray the publication costs ourselves. But the stark reality of inflation, with resulting high costs of printing, mailing, supplies, etc., made us realize that such an ambitious effort was impossible. We, then, decided to seek financial assistance from in- dividuals and organizations for support (patrons, $100.00; benefactors, $50.00; contrib- utors, $25.00). The response to our request was good. And we are very grateful to those individuals for their interest in and support of this non-profit Black South community project, for without their assistance the publication of the first issue of Callaloo would never have been possible. We are especially grateful to the University of Kentucky, Kentucky Humanities Council, and the Coordinating Council of Literary Magazines for their generous support, the major financial source for the continuation of Callaloo.

Patrons

Ms. Alice Walker Mr. David Graham DuBois

Benefactors

Drs. Henry and Thelma Cobb Dr. Julius E. Thompson Dr. Pinkie Gordon Lane Dr. Electa Wiley

Dr. and Mrs. Huel Perkins

Contributors

Afro-American Studies Dr. Blyden Jackson Howard University Dr. Rajinder S. Kakar

Afro-American Studies Mr. Montgomery W. King University of Pennsylvania Drs. Paul and San-Su C. Lin

Ms. Johnnie M. Arrington Mr. and Mrs. Clyde McHenry Mr. and Mrs. Vernanders Black Mr. Adam David Miller A. Russell Brooks Mr. Basile Miller Ms. Mercedese Broussard Ms. Cloatiel D. Mills Dr. and Mrs. Nicholas Canady, Jr. Dr. and Mrs. Robert Moran Ms. Eulacie S. Chatman Ms. Minnie L. Newport Dr. Rita B. Dandrige Ms. Charlene Patrick Ms. Margaret C. Danner Dr. Charles Payne, Jr. Mr. Jerald Dorsey Dr. Danny Pogue Mr. Edward Finley Mr. and Mrs. Charles W. Pugh Mr. and Mrs. Clifford Gillie Mr. Robert E. Reed Dr. Frances Grimes Dr. and Mrs. C.G. Taylor Dr. L.C. Grisby Mr. Edward Ward Jr. Mr. Michael Harris Ms. Roena I. Wilford Dr. Trudier Harris Winnfield Life Insurance Co. Ms. Gladys Conrad Hines (Natchitoches, La.) Ms. Ida M. Hollinger

If you are interested in supporting Deep South Black writers, artists and photogra- phers by helping to continue the publication of this journal as an outlet of expression, please make your contribution in check or money order payable to CALLALOO. Mail your contribution to Charles H. Rowell, Department of English, University of Ken- tucky, Lexington, KY 40506.

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